Another day, another #Transphobe. This one is a John Landolfi, a producer with Alternate Ending Films and alumni of @montclairstateu. He currently resides out of Oradell, NJ. You can find him on Twitter at twitter.com/JdLandolfi @JdLandolfi, Instagram at instagram.com/johnlandolfi & Skype him via john.landolfi2. Here’s his IMDB page as well, so you can ask those in Hollywood why they associate with him, bad enough I have two mutuals with this bloke and I wonder why – https://www.imdb.com/name/nm3371955/. Here’s some of the #Transphobia & #Hate he posted on a friend’s post about the #Transgender Miss Universe Contestant, referring to #Trans people as “It”. Claiming that it’s an unfair advantage because we’re just “men” pretending to be women because of hormones and surgery… Yet not word one from Mr.Landolfi about how a #Transman boxer won a recent title bout against a cisgender man because he knows that would prove his bigoted views wrong. Then he has the nerve to threaten the guy who brought his hate to light. Feel free to call him out yourself! #translivesmatter #transrightsnow #transrightsarecivilrights #transrightsarehumanrights #endtransphobia #lgbtq #lgbtqia #lgbt https://www.instagram.com/p/BrnhKNbn5V8/?utm_source=ig_tumblr_share&igshid=ikthlehh29fl
Tumblr has deleted several of my posts. The above still is from a G-rated Hollywood film. Let’s see if Tumblr has a problem with this too. If any of you following this blog have a problem with Ms. Loy’s life choices, I heartily encourage you to unfollow and stop troubling your delicate sensibilities.
Ian Mackay, bassist, and Paul Robinson, singer for the Toronto-based punk band The Diodes, with Wendy O. Williams
at Max’s Kansas City in New York, as captured by the band’s manager Ralph Alfonso in 1977.
By the time they signed to CBS Records in August `77, The Diodes had
already run Canada’s first punk club, the legendary Crash ‘n’ Burn
Club, played CBGB’s in New York and been mentioned in the music press as a band to watch, releasing their self-titled
debut album in October, 77.
A month later The Diodes headlined the notorious and packed Max’s Kansas City with
none other than Wendy O. Williams introducing them on stage. This was before she started with The Plasmatics, when she was still a porn star and her manager Rod Swenson
was doing
counter-culture projects
and documentaries on a lot of bands, so he produced the show and Wendy interviewed the band.
You can almost feel they really want to look straight up at her so bad it hurts
I THOUGHT IT WAS MY PHONE. Black girls doesn’t even fucking work. Please boost this guys! PLEASE!
Because @staff are an obviously and blatant, group of racists who don’t bother to hide it. They support white nationalists, nazis, and any prick with a complexion even mildly close to the mayonnaise. They can blur all the blogs and delete all the hashtags, but they can’t delete the folks behind everything. @staff can still suck a dick though.
Give me Sodomy, or give me Death 